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|a Discarded. Waste paper: Georges Braque, Still Life, 1914 ; Unique?: Marcel Duchamp, Fountain, 1917 ; A rival to Guernica?: Joan Miró, The Reaper, 1937 ; Death of a hippie: Paul Thek, The Tomb, 1967 ; Corporate power: Edward Ihnatowicz, Senster, 1970 -- Missing. Without a trace: Kasimir Malevich, Peasant Funeral, 1911 ; Lobster legs: Wyndham Lewis, Kermesse, 1912 ; Regime change: Arno Breker, Torch Bearer and Sword Bearer, 1938 ; Betrayal: Frida Kahlo, The Wounded Table, 1940 -- Rejected. A thirty years war: Jacob Epstein, Sculptures for the British Medical Association Building, 1908 ; Seeing red: Diego Rivera, Man at the Crossroads Looking with Uncertainty but with Hope and High Vision to the Choosing of a New and Better Future, 1933 ; An unwanted present: Graham Sutherland, Portrait of Sir Winston Churchill, 1954 ; Breaking the rules?: Daniel Buren, Painting-Sculpture (Painting I and Painting II), 1971 ; Art on trial: Richard Serra, Tilted Arc, 1981 -- Attacked. Confiscated: Egon Schiele, Self-Seer, 1910 ; Degenerate: Otto Freundlich, Large Head (The New Man), 1912 ; Horrors of war: Otto Dix, The Trench, 1920-3 -- Destroyed. Moving house: Kurt Schwitters, Merzbau, c.1923-37 ; Bombed: Wassily Kandinsky, Composition I, 1910 ; Nine eleven: Alexander Calder, Bent Propeller, 1970 ; Burnt memories: Tracey Emin, Everyone I Have Ever Slept With 1963-1995, 1995 -- Erased. Fig leaf: Francis Picabia, Hot Eyes, 1921 ; Cut up: Francis Bacon, Study for Man with Microphones, 1946 ; Drawing away: Willem de Kooning, Untitled, c.1950s ; The death of painting: John Baldessari, Cremation Project, 1970 -- Ephemeral. Material decay: Naum Gabo, Construction in Space:Two Cones, 1936, replica 1968 ; Life doesn't last, art doesn't last: Eva Hesse, Sans III, 1969 ; Moths: Joseph Beuys, Felt Suit, 1970 -- Transient. Like a falling star: Jean Tinguely, Homage to New York, 1960 ; Decline and fall: Robert Smithson, Partially Buried Woodshed, 1970 ; Berlin wall: Keith Haring, Berlin Wall Mural, 1986 ; A house divided: Rachel Whiteread, House, 1993 ; Wrapped/unwrapped: Christo and Jeanne-Claude, Wrapped Reichstag, Berlin 1971-95, 1971-95 ; Melting: Anya Gallaccio, intensities and surfaces, 1996 ; Dispossessed: Michael Landy, Break Down, 2001 -- Unrealised. Monumental dream: Vladimir Tatlin, Monument to the Third International, 1920 ; Capsized: Bas Jan Ader, In Search of the Miraculous, 1973-5 -- Stolen. Off the wall: Lucian Freud, Francis Bacon, 1952 ; Scrapped?: Henry Moore, Reclining Figure, 1969-70 ; Unsellable?: five paintings stolen from the Musée d'Art Moderne de la Ville de Paris.
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