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| LEADER |
03003nam a22002657i 4500 |
| 005 |
20150414113135.0 |
| 008 |
090819s2007 xxka b 001 0 eng |
| 010 |
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|a 2007019975
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| 015 |
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|a GBA698231
|2 bnb
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| 020 |
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|a 9780415328487
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| 035 |
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|a (OCoLC)128237790
|z (OCoLC)76798076
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| 040 |
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|a DLC
|c DLC
|d UKM
|d BAKER
|d YDXCP
|d YDX
|d BTCTA
|d BWK
|d CDX
|d VVC
|d MUQ
|d VRC
|d UtOrBLW
|d HR-ZaFF
|b hrv
|e ppiak
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| 080 |
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|a 791.43(520)
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| 245 |
0 |
0 |
|a Japanese cinema :
|b texts and contexts /
|c edited by Alastair Phillips and Julian Stringer.
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| 260 |
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|a London ;
|a New York :
|b Routledge,
|c 2007.
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| 300 |
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|a xviii, 363 str. :
|b ilustr. ;
|c 24 cm
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| 504 |
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|a Bibliografija: str. 329-349. - Kazalo
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0 |
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|a The salaryman's panic time: Ozu Yasujiro's I was born, but...(1932) / Alastair Phillips -- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie -- Turning Serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg -- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby -- The riddle of the vase: Ozu Yasujiro's Late spring (1949) / Abe Mark Nornes -- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen -- The menace from the south seas: Honda Ishiro's Godzilla (1954) / Yomota Inuhiko -- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez --Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell -- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald -- Modernization without modernity: Masumura Yasuzo's Giants and toys (1958) / Michael Raine -- Questions of the new: Oshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto -- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano -- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao -- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh -- Transgression and the politics of porn: Oshima Nagisa's In the realm of the senses (1976) / Isolde Standish -- Unsettled visions: Imamura Shohei's Vengeance is mine (1979) / Alastair Phillips -- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow -- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie -- Community and connection: Itami Juzo's Tampopo (1985) / Linda Ehrlich -- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser -- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis -- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer -- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison.
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| 650 |
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0 |
|a Motion pictures
|z Japan.
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| 653 |
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|a film - Japan
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| 653 |
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|a japanski film
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| 700 |
1 |
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|a Phillips, Alastair
|4 edt
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| 700 |
1 |
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|a Stringer, Julian
|4 edt
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| 942 |
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|c KNJ
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| 999 |
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|c 337919
|d 337916
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