|
|
|
|
LEADER |
01009naa a2200277 i 4500 |
001 |
NSK01000941566 |
003 |
HR-ZaNSK |
005 |
20160908165032.0 |
007 |
ta |
008 |
160901s2014 ci | |0|| ||eng |
035 |
|
|
|a (HR-ZaNSK)000941566
|
040 |
|
|
|a HR-ZaNSK
|b hrv
|c HR-ZaNSK
|e ppiak
|
041 |
0 |
|
|a eng
|b hrv
|
042 |
|
|
|a croatica
|
044 |
|
|
|a ci
|c hr
|
080 |
1 |
|
|a 78
|2 MRF 2011.
|
080 |
1 |
|
|a 11/12
|2 MRF 2011.
|
100 |
1 |
|
|a Wierzbicki, James Eugene
|
245 |
1 |
0 |
|a Inventive listening :
|b the aesthetics of parataxis /
|c James Wierzbicki.
|
504 |
|
|
|a Bibliografske bilješke uz tekst ; biobibliografska bilješka o autoru: str. 206
|
504 |
|
|
|a Sažetak
|
653 |
|
0 |
|a Glazbena parataksa
|a Sintaksa
|a Estetika glazbene paratakse
|a Glazbeni minimalizam
|a Indeterminizam
|a Inventivno slušanje
|
653 |
|
1 |
|a Adorno, Theodor Wiesegrund
|
773 |
0 |
|
|t International review of the aesthetics and sociology of music
|x 0351-5796
|g 45 (2014), 1 ; str. 21-46
|w nsk.(HR-ZaNSK)000000151
|
981 |
|
|
|b B07/14
|
998 |
|
|
|a sapo160901
|