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01233naa a2200325 i 4500 |
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HR-ZaNSK |
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20211220094638.0 |
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211217s2019 ci a | |0|| ||eng |
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|a (HR-ZaNSK)001121222
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|a HR-ZaNSK
|b hrv
|c HR-ZaNSK
|e ppiak
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|a eng
|b hrv
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|a croatica
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|a ci
|c hr
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| 080 |
1 |
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|a 811.163.42
|2 2011
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1 |
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|a 78
|2 2011
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| 100 |
1 |
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|a Kiš Žuvela, Sanja
|4 aut
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| 245 |
1 |
4 |
|a The embodied and the cultural in the conceptualization of pitch space in Croatian /
|c Sanja Kiš Žuvela, Ana Ostroški Anić.
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| 300 |
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|b Ilustr.
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| 500 |
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|a Tematski blok: "Figurative multimodality".
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| 504 |
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|a Bibliografske bilješke uz tekst ; bibliografija: str. 215-218.
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| 504 |
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|a Sažetak.
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| 653 |
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0 |
|a Konceptualizacija
|a Glazba
|a Teorija glazbe
|a Visina tona
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| 700 |
1 |
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|a Ostroški Anić, Ana
|4 aut
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| 773 |
0 |
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|t Jezikoslovlje
|x 1331-7202
|g 20 (2019), 2 ; str. 199-219
|w nsk.(HR-ZaNSK)000231321
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| 776 |
0 |
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|a Kiš Žuvela, Sanja
|t The embodied and the cultural in the conceptualization of pitch space in Croatian
|w nsk.(HR-ZaNSK)001069093
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| 981 |
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|b B09/19
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| 998 |
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|b boko2112
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| 856 |
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1 |
|u https://hrcak.srce.hr/229445
|y Elektronička verzija članka
|