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|a HR-ZaFF komL6119
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 82.0
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1 |
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|a Fludernik, Monika
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|a Towards a 'natural' narratology /
|c Monika Fludernik.
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| 260 |
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|a London ;
|a New York :
|b Routledge,
|c cop. 1996.
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| 300 |
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|a xiv, 454 str. ;
|c 24 cm
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| 504 |
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|a Str. 407: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a 1. TOWARDS A 'NATURAL' NARRATOLOGY
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| 505 |
8 |
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|a 1.1 Linguistic concepts of the natural
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| 505 |
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|a 1.1.1 Natural narrative
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| 505 |
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|a 1.1.2 The linguistic theory of naturalness: from frames to prototypes
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| 505 |
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|a 1.2 A redefinition of narrativity
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| 505 |
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|a 1.2.1 History vs. experientiality
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| 505 |
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|a 1.2.2 Narrativity
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| 505 |
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|a 1.2.3 Narrativization
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| 505 |
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|a 1.2.4 Realism and mimesis
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| 505 |
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|a 1.2.5 Fictionality
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| 505 |
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|a 1.3 Towards a 'natural' narratology
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| 505 |
8 |
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|a 2. NATURAL NARRATIVE AND OTHER ORAL MODES
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| 505 |
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|a 2.1 Oral types of storytelling: a generic overview
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| 505 |
8 |
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|a 2.2 Natural narrative: the creation of conversational storytelling: the experiential mode
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| 505 |
8 |
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|a 2.2.2 Report, observational narrative and the vicarious mode
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| 505 |
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|a 2.2.3 Institutionalized storytelling and the link with written narrative
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| 505 |
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|a 2.3 Humorous and didactic short forms
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| 505 |
8 |
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|a 2.3.1 The joke
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| 505 |
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|a 2.3.2 Exemplum and/or anecdote
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| 505 |
8 |
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|a 3. FROM THE ORAL TO THE WRITTEN: NARRATIVE STRUCTURE BEFORE THE NOVEL
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| 505 |
8 |
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|a 3.1 Middle English prose
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| 505 |
8 |
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|a 3.2 Middle English verse narrative
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| 505 |
8 |
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|a 3.2.1 Saints' legends
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| 505 |
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|a 3.2.2 Romance
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| 505 |
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|a 3.3 Renaissance prose and popular writing before Behn
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| 505 |
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|a 4. THE REALIST PARADIGM: CONSCIOUSNESS, MIMESIS AND THE READING OF THE 'REAL'
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| 505 |
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|a 4.1 Aphra Behn, or: from drama to fiction
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| 505 |
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|a 4.1.1 The orientation: development of report structure
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| 505 |
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|a 4.1.2 The narrative episode and the dramatic scene
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| 505 |
8 |
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|a 4.1.3 The consciousness scene
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| 505 |
8 |
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|a 4.2 The natural parameters of realism
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| 505 |
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|a 4.2.1 Versimilitude and effet de réel
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| 505 |
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|a 4.2.2 Natural parameters
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| 505 |
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|a 4.2.3 Authorial narrative, omniscience and reliability
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| 505 |
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|a 4.3 The consciousness novel: the English novel from Behn to Woolf
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| 505 |
8 |
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|a 4.4 The unimpassioned observer: neutral narrative
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| 505 |
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|a 5. REFLECTION AND FIGURALIZATION: THE MALLEABILITY OF LANGUAGE
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| 505 |
8 |
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|a 5.1 Reflectorization
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| 505 |
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|a 5.1.1 Original proposals
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| 505 |
8 |
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|a 5.1.2 Original proposals
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| 505 |
8 |
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|a 5.1.2 Lawrence and Weldon: a case study
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| 505 |
8 |
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|a 5.2 The 'empty centre' of figuralization
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| 505 |
8 |
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|a 5.2.1 Original proposals
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| 505 |
8 |
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|a 5.2.2 Mansfeld's 'At the Bay': another case study
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| 505 |
8 |
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|a 5.2.3 Reflectorization and figuralization contrasted
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| 505 |
8 |
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|a 5.3 Observers, narrators and reflectors
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| 505 |
8 |
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|a 5.3.1 The anonymous withess position
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| 505 |
8 |
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|a 5.3.2 Embodinebt, skaz, unreliability: cognitive parameters reintroduced
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| 505 |
8 |
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|a 5.3.3 Consonant reflectorization
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| 505 |
8 |
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|a 5.4 Summary
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| 505 |
8 |
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|a 6. VIRGIN TERRITORIES: THE STRATEGIC EXPANSION OF DEICTIC OPTIONS
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| 505 |
8 |
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|a 6.1 The deictic centre extended: 'odd' personal pronouns and the presentation of consciousness
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| 505 |
8 |
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|a 6.1.1 'Odd' pronouns: multiple subjects, impossible protagonists and invented pronominal morphology
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| 505 |
8 |
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|a 6.1.2 Alternation
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| 505 |
8 |
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|a 6.2 Person as a narratological category reconsidered
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| 505 |
8 |
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|a 6.3 Tense and narration: undermining deixis as usual
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| 505 |
8 |
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|a 6.3.1 The narrative present
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| 505 |
8 |
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|a 6.3.2 'Odd' narrative tenses
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| 505 |
8 |
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|a 6.3.3 Non-finite verb tenses
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| 505 |
8 |
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|a 6.3.4 Tense alternation
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| 505 |
8 |
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|a 6.4 Deixis action
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| 505 |
8 |
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|a 7. GAMES WITH TELLERS, TELLING AND TOLD
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| 505 |
8 |
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|a 7.1 Narratologicalpostmodernism
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| 505 |
8 |
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|a 7.2 The narrativization of the teller: narration as reflective consciousness
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| 505 |
8 |
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|a 7.3 The usurpation of telling by competing discourses
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| 505 |
8 |
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|a 7.4 Reading a story where is none: against the grain if the text
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| 505 |
8 |
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|a 7.5 Hermetic writing: the deconstruction of the reverential function of language. Where even the most intrepid reader fears to tread
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| 505 |
8 |
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|a 7.5.1 Plenitude and multiplicity
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| 505 |
8 |
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|a 7.5.2 Language disassembled into words
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| 505 |
8 |
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|a 7.6 Narrative and poetry: the condition of writing as écriture
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| 505 |
8 |
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|a 8 NATURAL NARRATOLOGY
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| 505 |
8 |
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|a 8.1 What is Natural Narratology? A theoretical outline
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| 505 |
8 |
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|a 8.1.1 The historical side of things: narrrativization and its limits
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| 505 |
8 |
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|a 8.1.2 What is narrative? (Part one)
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| 505 |
8 |
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|a 8.1.3 Degrees of narrativity, non-narrative texts and the question of historicity
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| 505 |
8 |
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|a 8.2 Standard models reviewed: how to square the circle
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| 505 |
8 |
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|a 8.3 Narratological categories and cognitive parameters
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| 505 |
8 |
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|a 8.3.1 Narratological categories and cognitive parameters
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| 505 |
8 |
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|a 8.3.1 Story vs. discourse reconsidered
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| 505 |
8 |
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|a 8.3.2 Tellers vs. reflectors, agents and readers: the dramatis personae of narratology
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| 505 |
8 |
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|a 8.3.3 Throwing out the baby and perserving the bath water: typological categories reconceptualized
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| 505 |
8 |
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|a 8.4 The medius of narrative: genre revisited (What is narrative? Part two)
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| 505 |
8 |
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|a 8.5 The politics of narrative: feminism, postcolonialism and the discourse of authorial power
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| 505 |
8 |
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|a 8.5.1 Ecriture féminine and the place of narratology in feminist studies
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| 505 |
8 |
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|a 8.5.2 Ideology and power
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| 505 |
8 |
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|a 8.6 Pulling the treads together: finishing touches to the design of Natural Narratology
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| 505 |
8 |
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|a IN LIEU OF AN EPILOGUE
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| 505 |
8 |
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|a Notes
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| 505 |
8 |
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|a References
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| 505 |
8 |
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|a Texts
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| 505 |
8 |
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|a Criticism
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| 505 |
8 |
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|a Author index
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| 505 |
8 |
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|a Subject index
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| 653 |
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|a pripovijedanje -- teorija
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| 653 |
|
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|a teorija pripovijedanja
|
| 653 |
|
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|a naratologija
|
| 653 |
|
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|a teorija književnosti
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| 653 |
|
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|a književna teorija
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| 653 |
|
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|a lingvistika
|
| 653 |
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|a postmodernizam
|
| 653 |
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|a feminizam
|
| 653 |
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|a postkolonijalizam
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| 653 |
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|a žensko pismo
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| 653 |
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|a ženski studiji
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 82.0 | FLU | T
|h EC01
|i FLU T
|6 EC01_FLU_T
|
| 991 |
|
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|a komIII-1010
|
| 992 |
|
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|a KK
|b ŽV
|c 200801
|
| 993 |
|
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|a REF (d). - Poslijediplomski studij književnosti
|
| 999 |
|
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|c 149954
|d 149954
|
