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Towards a 'natural' narratology

Permalink: http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:149954/TOC
Glavni autor: Fludernik, Monika (-)
Vrsta građe: Knjiga
Jezik: eng
Impresum: London ; New York : Routledge, cop. 1996.
Predmet:
pripovijedanje > teorija
teorija pripovijedanja
naratologija
teorija književnosti
književna teorija
lingvistika
postmodernizam
feminizam
postkolonijalizam
žensko pismo
ženski studiji
Sadržaj:
  • 1. TOWARDS A 'NATURAL' NARRATOLOGY
  • 1.1 Linguistic concepts of the natural
  • 1.1.1 Natural narrative
  • 1.1.2 The linguistic theory of naturalness: from frames to prototypes
  • 1.2 A redefinition of narrativity
  • 1.2.1 History vs. experientiality
  • 1.2.2 Narrativity
  • 1.2.3 Narrativization
  • 1.2.4 Realism and mimesis
  • 1.2.5 Fictionality
  • 1.3 Towards a 'natural' narratology
  • 2. NATURAL NARRATIVE AND OTHER ORAL MODES
  • 2.1 Oral types of storytelling: a generic overview
  • 2.2 Natural narrative: the creation of conversational storytelling: the experiential mode
  • 2.2.2 Report, observational narrative and the vicarious mode
  • 2.2.3 Institutionalized storytelling and the link with written narrative
  • 2.3 Humorous and didactic short forms
  • 2.3.1 The joke
  • 2.3.2 Exemplum and/or anecdote
  • 3. FROM THE ORAL TO THE WRITTEN: NARRATIVE STRUCTURE BEFORE THE NOVEL
  • 3.1 Middle English prose
  • 3.2 Middle English verse narrative
  • 3.2.1 Saints' legends
  • 3.2.2 Romance
  • 3.3 Renaissance prose and popular writing before Behn
  • 4. THE REALIST PARADIGM: CONSCIOUSNESS, MIMESIS AND THE READING OF THE 'REAL'
  • 4.1 Aphra Behn, or: from drama to fiction
  • 4.1.1 The orientation: development of report structure
  • 4.1.2 The narrative episode and the dramatic scene
  • 4.1.3 The consciousness scene
  • 4.2 The natural parameters of realism
  • 4.2.1 Versimilitude and effet de réel
  • 4.2.2 Natural parameters
  • 4.2.3 Authorial narrative, omniscience and reliability
  • 4.3 The consciousness novel: the English novel from Behn to Woolf
  • 4.4 The unimpassioned observer: neutral narrative
  • 5. REFLECTION AND FIGURALIZATION: THE MALLEABILITY OF LANGUAGE
  • 5.1 Reflectorization
  • 5.1.1 Original proposals
  • 5.1.2 Original proposals
  • 5.1.2 Lawrence and Weldon: a case study
  • 5.2 The 'empty centre' of figuralization
  • 5.2.1 Original proposals
  • 5.2.2 Mansfeld's 'At the Bay': another case study
  • 5.2.3 Reflectorization and figuralization contrasted
  • 5.3 Observers, narrators and reflectors
  • 5.3.1 The anonymous withess position
  • 5.3.2 Embodinebt, skaz, unreliability: cognitive parameters reintroduced
  • 5.3.3 Consonant reflectorization
  • 5.4 Summary
  • 6. VIRGIN TERRITORIES: THE STRATEGIC EXPANSION OF DEICTIC OPTIONS
  • 6.1 The deictic centre extended: 'odd' personal pronouns and the presentation of consciousness
  • 6.1.1 'Odd' pronouns: multiple subjects, impossible protagonists and invented pronominal morphology
  • 6.1.2 Alternation
  • 6.2 Person as a narratological category reconsidered
  • 6.3 Tense and narration: undermining deixis as usual
  • 6.3.1 The narrative present
  • 6.3.2 'Odd' narrative tenses
  • 6.3.3 Non-finite verb tenses
  • 6.3.4 Tense alternation
  • 6.4 Deixis action
  • 7. GAMES WITH TELLERS, TELLING AND TOLD
  • 7.1 Narratologicalpostmodernism
  • 7.2 The narrativization of the teller: narration as reflective consciousness
  • 7.3 The usurpation of telling by competing discourses
  • 7.4 Reading a story where is none: against the grain if the text
  • 7.5 Hermetic writing: the deconstruction of the reverential function of language. Where even the most intrepid reader fears to tread
  • 7.5.1 Plenitude and multiplicity
  • 7.5.2 Language disassembled into words
  • 7.6 Narrative and poetry: the condition of writing as écriture
  • 8 NATURAL NARRATOLOGY
  • 8.1 What is Natural Narratology? A theoretical outline
  • 8.1.1 The historical side of things: narrrativization and its limits
  • 8.1.2 What is narrative? (Part one)
  • 8.1.3 Degrees of narrativity, non-narrative texts and the question of historicity
  • 8.2 Standard models reviewed: how to square the circle
  • 8.3 Narratological categories and cognitive parameters
  • 8.3.1 Narratological categories and cognitive parameters
  • 8.3.1 Story vs. discourse reconsidered
  • 8.3.2 Tellers vs. reflectors, agents and readers: the dramatis personae of narratology
  • 8.3.3 Throwing out the baby and perserving the bath water: typological categories reconceptualized
  • 8.4 The medius of narrative: genre revisited (What is narrative? Part two)
  • 8.5 The politics of narrative: feminism, postcolonialism and the discourse of authorial power
  • 8.5.1 Ecriture féminine and the place of narratology in feminist studies
  • 8.5.2 Ideology and power
  • 8.6 Pulling the treads together: finishing touches to the design of Natural Narratology
  • IN LIEU OF AN EPILOGUE
  • Notes
  • References
  • Texts
  • Criticism
  • Author index
  • Subject index

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