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|a 791.43
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| 245 |
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|a Narrative, apparatus, ideology :
|b a film theory reader /
|c edited by Philip Rosen.
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| 260 |
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|a New York :
|b Columbia University Press,
|c cop. 1986.
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| 300 |
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|a xiv, 549 str. :
|b ilustr. ;
|c 24 cm
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| 500 |
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|a Zastupljeni autori: Bordwell D. ; Metz C. ; Bellour R. ; Browne N. ; Wollen P. ; Thompson K. ; Linderman D. ; Barthes, Roland ; MacCabe C. ; Mulvey L. ; Willemen P. ; Silverman K. ; Kristeva J. ; Baudry J.-L. ; Bonitzer P. ; Doane M.A. ; Lyotard J.F. ; De Lauretis, Teresa ; Heath S. ; Comolli J.-L. ; Burch N. ; Williams L. ; Elsaesser T.
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| 504 |
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|a Bibliografske bilješke iza pojedinih radova
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| 505 |
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|a Part 1. Structures of Filmic Narrative :
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| 505 |
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|a Introduction: The Saussurian Impulse and Cinema Semiotics ;
1. Classical Hollywood Cinema: Narrational Principles and Procedures, by David Bordwell ;
2. Problems of Denotation in the Fiction Film, by Christian Metz
3. Segmenting/Analyzing, by Raymond Bellour ;
4. The Obvious and the Code, by Raymond Bellour ;
5. The Spectator-in-the-Text: The Rhetoric of Stagecoach, by Nick Browne ;
6. Godard and Counter-Cinema: Vent d' Est, by Peter Wollen ;
7. The Concept of Cinematic Excess, by Kristin Thompson ;
8. Uncoded Images in the Heterogeneous Text, by Deborah Linderman
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| 505 |
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|a Part 2: Subject, Narrative, Cinema :
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| 505 |
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|a Introduction: Text and Subject ;
9. Diderot, Brecht, Eisenstein, by Roland Barthes ;
10. Theory and Film: Principles of Realism and Pleasure, by Colin MacCabe ;
11. Visual Pleasure and Narrative Cinema, by Laura Mulvey ;
12. Voyeurism, The Look, and Dwoskin, by Paul Willemen ;
13. Suture (excerpts), by Kaja Silverman ;
14. Ellipsis on Dread and the Specular Seduction, by Julia Kristeva ;
15. The Imaginary Signifier (excerpts), by Christian Metz
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| 505 |
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|a Part 3: Apparatus ;
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| 505 |
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|a Introduction ;
16. Ideological Effects of the Basic Cinematographic Apparatus, by Jean-Louis Baudry ;
17. The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema, by Jean-Louis Baudry ;
18. The Silences of the Voice, by Pascal Bonitzer ;
19. The Voice in the Cinema: The Articulation of Body and Space, by Mary Ann Doane ;
20. Acinema, by Jean François Lyotard ;
21. Through the Looking-Glass, by Teresa de Lauretis
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| 505 |
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|a Part 4: Textuality as Ideology :
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| 505 |
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|a Introduction ;
22. Narrative Space, by Stephen Heath ;
23. Technique and Ideology: Camera, Perspective, Depth of Field (Parts 3 and 4), by Jean-Louis Comolli ;
24. John Ford's Young Mr. Lincoln, by Editors of Cahiers du cinéma ;
25. Primitivism and the Avant-Gardes: A Dialectical Approach, by Noël Burch ;
26. Film Body: An Implantation of Perversions, by Linda Williams ;
27. Primary Identification and the Historical Subject: Fassbinder and Germany, by Thomas Elsaesser
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| 520 |
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|a Smartly selected and organized, the essays in this anthology introduce several central issues in film theory, namely, the classical narrative text, oppositional and avant-garde cinema, subject positioning, the cinematic apparatus, and ideology. Written by seminal scholars, including Christian Metz, Jean-Louis Baudry, Stephen Heath, Peter Wollen, Laura Mulvey, and Noël Burch, as well as such leading thinkers as Roland Barthes, Julia Kristeva, and Jean-François Lyotard, these works utilize a number of approaches in their analyses, particularly structuralism, poststructuralism, psychoanalysis, feminism, neoformalism, Marxism, and semiotics. Divided into sections, the anthology features introductions to each group of essays outlining the major assumptions, ideas, and arguments of the articles and situating them within the history of film theory, narrative analysis, and social and cultural theory.
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| 653 |
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|a teorija filma
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| 653 |
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|a film
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| 700 |
1 |
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|a Rosen, Philip
|4 edt
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| 942 |
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|b LIB
|c KNJ
|d KOM | 791.43 | NARR
|h EC16
|i NARR
|6 EC16_NARR
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| 991 |
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|a kom97/55
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| 991 |
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|a kom02/1
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| 992 |
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|a KK
|b ŽV
|c 200803
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| 999 |
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|c 150416
|d 150416
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