Narrative, apparatus, ideology
Smartly selected and organized, the essays in this anthology introduce several central issues in film theory, namely, the classical narrative text, oppositional and avant-garde cinema, subject positioning, the cinematic apparatus, and ideology. Written by seminal scholars, including Christian Metz,...
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:150416/TOC |
|---|---|
| Ostali autori: | Rosen, Philip (Editor) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New York :
Columbia University Press,
cop. 1986.
|
| Predmet: |
Sadržaj:
- Part 1. Structures of Filmic Narrative :
- Introduction: The Saussurian Impulse and Cinema Semiotics ; 1. Classical Hollywood Cinema: Narrational Principles and Procedures, by David Bordwell ; 2. Problems of Denotation in the Fiction Film, by Christian Metz 3. Segmenting/Analyzing, by Raymond Bellour ; 4. The Obvious and the Code, by Raymond Bellour ; 5. The Spectator-in-the-Text: The Rhetoric of Stagecoach, by Nick Browne ; 6. Godard and Counter-Cinema: Vent d' Est, by Peter Wollen ; 7. The Concept of Cinematic Excess, by Kristin Thompson ; 8. Uncoded Images in the Heterogeneous Text, by Deborah Linderman
- Part 2: Subject, Narrative, Cinema :
- Introduction: Text and Subject ; 9. Diderot, Brecht, Eisenstein, by Roland Barthes ; 10. Theory and Film: Principles of Realism and Pleasure, by Colin MacCabe ; 11. Visual Pleasure and Narrative Cinema, by Laura Mulvey ; 12. Voyeurism, The Look, and Dwoskin, by Paul Willemen ; 13. Suture (excerpts), by Kaja Silverman ; 14. Ellipsis on Dread and the Specular Seduction, by Julia Kristeva ; 15. The Imaginary Signifier (excerpts), by Christian Metz
- Part 3: Apparatus ;
- Introduction ; 16. Ideological Effects of the Basic Cinematographic Apparatus, by Jean-Louis Baudry ; 17. The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema, by Jean-Louis Baudry ; 18. The Silences of the Voice, by Pascal Bonitzer ; 19. The Voice in the Cinema: The Articulation of Body and Space, by Mary Ann Doane ; 20. Acinema, by Jean François Lyotard ; 21. Through the Looking-Glass, by Teresa de Lauretis
- Part 4: Textuality as Ideology :
- Introduction ; 22. Narrative Space, by Stephen Heath ; 23. Technique and Ideology: Camera, Perspective, Depth of Field (Parts 3 and 4), by Jean-Louis Comolli ; 24. John Ford's Young Mr. Lincoln, by Editors of Cahiers du cinéma ; 25. Primitivism and the Avant-Gardes: A Dialectical Approach, by Noël Burch ; 26. Film Body: An Implantation of Perversions, by Linda Williams ; 27. Primary Identification and the Historical Subject: Fassbinder and Germany, by Thomas Elsaesser