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02036nam a22003377i 4500 |
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20130703124153.0 |
| 008 |
081223s2009 xxuag b 001 0 eng |
| 020 |
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|a 9780231137775
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| 040 |
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|a DLC
|c DLC
|d BTCTA
|d YDXCP
|d UKM
|d C#P
|d NhCcYBP
|d HR-ZaFF
|b hrv
|e ppiak
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| 041 |
1 |
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|a eng
|h fre
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| 080 |
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|a 791.43
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| 090 |
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|a PN1995.7
|b .C4513X 2009 (LC)
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| 100 |
1 |
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|a Chion, MIchel
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| 240 |
1 |
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|a Art sonore, le cinema.
|l English
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1 |
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|a Film, a sound art /
|c Michel Chion ; translated by Claudia Gorbman.
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| 250 |
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|a [English ed.].
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| 260 |
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|a New York :
|b Columbia University Press,
|c cop. 2009.
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| 300 |
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|a xii, 536 str. :
|b ilustr. ;
|c 25 cm
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| 490 |
1 |
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|a Film and culture
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| 830 |
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|a Film and culture.
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| 500 |
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|a Prijevod s francuskog jezika
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| 504 |
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|a Includes bibliographical references and index.
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|a History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.
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| 650 |
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|a Sound motion pictures.
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| 650 |
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|a Motion pictures
|x Sound effects.
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| 650 |
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|a Motion pictures
|x Aesthetics.
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| 653 |
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|a zvučni film
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| 653 |
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|a filmska umjetnost
|a zvučni efekti
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| 653 |
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|a filmska umjetnost
|a estetika
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| 942 |
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|c KNJ
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| 999 |
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|c 289447
|d 289445
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