Film, a sound art
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:289447/TOC |
|---|---|
| Glavni autor: | Chion, MIchel (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng fre |
| Impresum: |
New York :
Columbia University Press,
cop. 2009.
|
| Izdanje: | [English ed.] |
| Nakladnička cjelina: |
Film and culture.
|
| Predmet: |
Sadržaj:
- History. When film was deaf (1895-1927)
- Chaplin: three steps into speech
- Birth of the talkies or of sound film? (1927-1935)
- Jean Vigo: the material and the ideal
- The ascendancy of king text (1935-1950)
- Babel
- The time it takes for time to "harden" (1950-1975)
- The return of the sensorial (1975-1990)
- The silence of the loudspeakers (1990-2003)
- On a sequence from The birds: sound film as palimpsestic art
- Aesthetics and poetics. Jacques Tati: the cow and the moo
- The disappointed fairies around the cradle
- The separation
- The real and the rendered
- The three borders
- Audiovisual phrasing
- Alfred Hitchcock: seeing and hearing
- The twelve ears
- Orson Welles: the voice and the house
- The talking machine
- Faces and speech
- Andrei Tarkovsky: language and the world
- The five powers
- God is a disc jockey
- Max Ophuls: music, noise, and speech
- Like tears in rain.