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|a 2005024719
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|a 9780929701929
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|a 9780929701677 (alk. paper)
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|a McEvilley, Thomas
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| 245 |
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|a The triumph of anti-art :
|b conceptual and performance art in the formation of post-modernism /
|c Thomas McEvilley.
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| 250 |
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|a 1st ed.
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| 260 |
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|a Kingston, N.Y. :
|b McPherson & Co.,
|c cop. 2005.
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| 300 |
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|a 391 str. :
|b ilustr. ;
|c 24 cm
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| 504 |
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|a Bibliografske bilješke. - Kazalo
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|a Origins of the anti-art. Kant, Duchamp and Dada : the background ; Out of the ashes : the twentieth century as syllogism ; Yves Klein : messenger of the age of space -- Conceptual art. Anti-art as cognition ; William Anastasi : talk about dumb ; Franois Morellet : Pythagorean post-modernist ; Bernar Venet : from breakthrough to cul-de-sac ; John Baldessari : the mythos of spring ; Les Levine : mass media campaigns ; Francis Alys : calling the unaccountable to account -- Performance art. Anti-art as ethics ; Art in the dark ; Beuys and Warhol : the poseur's mantle ; Marina Abramovic/Ulay Ulay/Marina Abramovic ; James Lee Byars : the atmosphere of question ; Brian O'Doherty : an artist and his aliases ; Marina Abramovic : speaking silences, carrying water ; Performance exemplified : Joseph Beuys, Robert Rauschenberg, Hermann Nitsch, Stelarc, Tehching Hsieh/Linda Montano, Fiona Templeton, Pina Bausch, Carolee Schneemann, Marshall Weber -- The triumph of anti-art? -- Appendix 1: Origin of the term 'anti-art' -- Appendix 2: Zen, Dada, Duchamp, and Cage -- Appendix 3: The end of art -- Appendix 4: New York or global?
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| 520 |
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|a From roughly 1965 to 1980, Conceptual Art and Performance Art took center stage throughout the western world, introducing new and complex ideas to the practice of contemporary art which reverberate to this day. Thomas McEvilley's The Triumph of Anti-Art not only explains the origins of these controversial and compelling art forms, but also uncovers many relatively unrecognized yet indisputably important artists, American and European. He guides the reader through a thicket of seemingly arcane meanings of these nonrepresentational art form, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts. The long-term effects of "anti-art," and the development of the pluralistic situation known as post-Modernism, are described in vivid detail. From the Greek philosopher Diogenes, through the 19th-century German romantic tradition, to the modern art critic Clement Greenberg, McEvilley traces philosophical ideas and political impulses that temporarily led to a toppling of painting and sculpture in the decades right after World War II. Following an overview of Modernism and Marcel Duchamp's influence, a chapter on Yves Klein sets the state for surveys of Conceptual Art and its practitioners, including Bernar Venet, John Baldessari, and Francis Alys. McEvilley then gives equal focus to Performance Art with chapters on Andy Warhol, Brian O'Doherty, and Marina Abramovic and Ulay, among others. At the end of the volume the "triumph" of "anti-art" is explored in depth, as are the origins of the terms, practices, and politics of global art history.
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| 530 |
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|a Also issued online.
|
| 600 |
1 |
0 |
|a Alys, Francis,
|d 1959-
|
| 600 |
1 |
0 |
|a Baldessari, John,
|d 1931-
|
| 600 |
1 |
0 |
|a Duchamp, Marcel,
|d 1887-1968.
|
| 600 |
1 |
0 |
|a Klein, Yves,
|d 1928-1962.
|
| 600 |
1 |
0 |
|a Warhol, Andy,
|d 1928-1987.
|
| 650 |
|
0 |
|a Postmodernism.
|
| 650 |
|
0 |
|a Conceptual art.
|
| 650 |
|
0 |
|a Performance art.
|
| 650 |
|
0 |
|a Arts, Modern
|y 20th century.
|
| 653 |
|
|
|a konceptualna umjetnost
|a izvedbene umjetnosti
|a postmodernizam
|
| 856 |
4 |
1 |
|3 Table of contents
|u http://catdir.loc.gov/catdir/toc/ecip0518/2005024719.html
|7 0
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| 942 |
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|c KNJ
|
