The triumph of anti-art
From roughly 1965 to 1980, Conceptual Art and Performance Art took center stage throughout the western world, introducing new and complex ideas to the practice of contemporary art which reverberate to this day. Thomas McEvilley's The Triumph of Anti-Art not only explains the origins of these co...
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:332188/TOC |
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| Glavni autor: | McEvilley, Thomas (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
Kingston, N.Y. :
McPherson & Co,
cop. 2005.
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| Izdanje: | 1st ed |
| Predmet: | |
| Online pristup: |
Table of contents |
Sadržaj:
- Origins of the anti-art. Kant, Duchamp and Dada : the background ; Out of the ashes : the twentieth century as syllogism ; Yves Klein : messenger of the age of space
- Conceptual art. Anti-art as cognition ; William Anastasi : talk about dumb ; Franois Morellet : Pythagorean post-modernist ; Bernar Venet : from breakthrough to cul-de-sac ; John Baldessari : the mythos of spring ; Les Levine : mass media campaigns ; Francis Alys : calling the unaccountable to account
- Performance art. Anti-art as ethics ; Art in the dark ; Beuys and Warhol : the poseur's mantle ; Marina Abramovic/Ulay Ulay/Marina Abramovic ; James Lee Byars : the atmosphere of question ; Brian O'Doherty : an artist and his aliases ; Marina Abramovic : speaking silences, carrying water ; Performance exemplified : Joseph Beuys, Robert Rauschenberg, Hermann Nitsch, Stelarc, Tehching Hsieh/Linda Montano, Fiona Templeton, Pina Bausch, Carolee Schneemann, Marshall Weber
- The triumph of anti-art?
- Appendix 1: Origin of the term 'anti-art'
- Appendix 2: Zen, Dada, Duchamp, and Cage
- Appendix 3: The end of art
- Appendix 4: New York or global?