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|a 0812212347
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|a HR-ZaFF angL9225
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 82.0
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| 245 |
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|a Literary theories in praxis /
|c edited by Shirley F. Staton.
|
| 260 |
|
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|a Philadelphia :
|b The University of Pennsylvania Press,
|c 1990.
|
| 300 |
|
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|a xii, 471 str. ;
|c 24 cm
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| 504 |
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|a Str. 441-452: Bibliografija
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| 504 |
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|a Str. 461-471: Kazalo pojmova i imena
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| 505 |
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|a 1. New criticism
2. Phenomenological criticism
3. Archetypal and genre criticism
4. Structuralist-semiotic criticism
5. Sociological criticism: historical, marxist, feminist
6. Psychoanalytic criticism
7. Reader-response criticism
8. Deconstructionist criticism
9. Humanist criticism
|
| 505 |
|
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|a Anderson, Charles R.--Ecstacy: Dickinson's "My life had stood - a loaded gun -"
Brooks, Cleanth--Yeats's "Sailing to Byzantium"
Perloff, Marjorie--The rhyme structure of the Byzantium poems
Heilman, Robert Bechtold--Hawthorne's "The birthmark": Babener, Liahna--The shadow's shadow: the motif of the double in Edgar Allan Poe's "The purloined letter"
Warren, Robert Penn--Interpretation: "A rose for Emily"
McFarland, Dorothy T.--Flannery O'Connor's "Revelation"
Halliburton, David--Poe's detective tales
Gilbert, Sandra M.--A woman - white: Emily Dickinson's Yarn of pearl
Moore, Benita A.--Hawthorne, Heidegger, and the Holy: the uses of literature
May, John R.--The parables of Flannery O'Connor
Gelpi, Albert--Emily Dickinson and the Deerslayer
Frye, Northrop--The archetypes of literature
Muller, Gilbert H.--Flannery O'Connor and the catholic grotesque
Johnson, Anthony L.--Sign, structure, and self-reference in W. B. Yeats's "Sailing to Byzantium"
Happel, NIkolaus--William Faulkner's "A rose for Emily"
Chatman, Seymour--What novels can do that film can't (and vice versa)
Scholes, Robert--Decoding Papa: "A very short story" as work and text
Barthes, Roland--Striptease
Hebdige, Dick--Subculture: the meaning of style
Tindall, William York--Transcendentalism and W. B. Yeats
Heath-Stubbs, John--Beyond aestheticism: W. B. Yeats
McGann, Jerome--The text, the poem, and the problem of historical method
Brecht, Bertolt--Theatre for pleasure of theatre for instruction
Mottram, Eric--Power and law in Hawthorne's fictions
Eagleton, Terry--Ideology and literary form: W. B. Yeats
Shohat, Ella--The cinema after Babel: language, difference, power
Stam, Robert--The cinema after Babel: language, difference, power
Rich, Adrienne--Vesuvius at home: the power of Emily Dickinson
Fetterley, Judith--Women beware science: "The birthmark"
Fetterley, Judith--A rose for "A rose for Emily"
Bonaparte, Marie--"The purloined letter"
Lesser, Simon O.--Fiction and the unconscious: "The birthmark"
Holland, Norman--Fantasy and defense in faulkner's "A rose for Emily"
Webster, Brenda S.--A psychoanalytic study: "Sailing to Byzantium"
Bloom, Harold--Yeats and "Sailing to Byzantium"
Lacan, Jacques--Seminar on "The purloined letter" (with introductory note by Jeffrey Mehlman)
Tefs, Wayne A.--Norman N. Holland and "A rose for Emily" - some questions concerning psychoanalytic criticism
Crosman, Robert--How readers make meaning
Dillon, George L.--Styles of reading
Lotman, Jurij M.--The text and the structure of its audience
Derrida, Jacques--Structure, sign, and play in the discourse
Johnson Barbara--The frame of reference: poe, LAaan, Derrida
Lipking, Lawrence I.--The practice of theory
|
| 653 |
|
|
|a teorija književnosti
|
| 700 |
1 |
|
|4 edt
|a Staton, Shirley F.
|
| 700 |
1 |
|
|4 aut
|a Anderson, Charles R.
|t Ecstacy: Dickinson's "My life had stood - a loaded gun -"
|
| 700 |
1 |
|
|4 aut
|a Brooks, Cleanth
|t Yeats's "Sailing to Byzantium"
|
| 700 |
1 |
|
|4 aut
|a Perloff, Marjorie
|t The rhyme structure of the Byzantium poems
|
| 700 |
1 |
|
|4 aut
|a Heilman, Robert Bechtold
|t Hawthorne's "The birthmark": science as religion
|
| 700 |
1 |
|
|4 aut
|a Babener, Liahna
|t The shadow's shadow: the motif of the double in Edgar Allan Poe's "The purloined letter"
|
| 700 |
1 |
|
|4 aut
|a Warren, Robert Penn
|t Interpretation: "A rose for Emily"
|
| 700 |
1 |
|
|4 aut
|a McFarland, Dorothy T.
|t Flannery O'Connor's "Revelation"
|
| 700 |
1 |
|
|4 aut
|a Halliburton, David
|t Poe's detective tales
|
| 700 |
1 |
|
|4 aut
|a Gilbert, Sandra M.
|t A woman - white: Emily Dickinson's Yarn of pearl
|
| 700 |
1 |
|
|4 aut
|a Moore, Benita A.
|t Hawthorne, Heidegger, and the Holy: the uses of literature
|
| 700 |
1 |
|
|4 aut
|a May, John R.
|t The parables of Flannery O'Connor
|
| 700 |
1 |
|
|4 aut
|a Gelpi, Albert
|t Emily Dickinson and the Deerslayer
|
| 700 |
1 |
|
|4 aut
|a Frye, Northrop
|t The archetypes of literature
|
| 700 |
1 |
|
|4 aut
|a Muller, Gilbert H.
|t Flannery O'Connor and the catholic grotesque
|
| 700 |
1 |
|
|4 aut
|a Johnson, Anthony L.
|t Sign, structure, and self-reference in W. B. Yeats's "Sailing to Byzantium"
|
| 700 |
1 |
|
|4 aut
|a Happel, NIkolaus
|t William Faulkner's "A rose for Emily"
|
| 700 |
1 |
|
|4 aut
|a Chatman, Seymour
|t What novels can do that film can't (and vice versa)
|
| 700 |
1 |
|
|4 aut
|a Scholes, Robert
|t Decoding Papa: "A very short story" as work and text
|
| 700 |
1 |
|
|4 aut
|a Barthes, Roland
|t Striptease
|
| 700 |
1 |
|
|4 aut
|a Hebdige, Dick
|t Subculture: the meaning of style
|
| 700 |
1 |
|
|4 aut
|a Tindall, William York
|t Transcendentalism and W. B. Yeats
|
| 700 |
1 |
|
|4 aut
|a Heath-Stubbs, John
|t Beyond aestheticism: W. B. Yeats
|
| 700 |
1 |
|
|4 aut
|a McGann, Jerome
|t The text, the poem, and the problem of historical method
|
| 700 |
1 |
|
|4 aut
|a Brecht, Bertolt
|t Theatre for pleasure of theatre for instruction
|
| 700 |
1 |
|
|4 aut
|a Mottram, Eric
|t Power and law in Hawthorne's fictions
|
| 700 |
1 |
|
|4 aut
|a Eagleton, Terry
|t Ideology and literary form: W. B. Yeats
|
| 700 |
1 |
|
|4 aut
|a Shohat, Ella
|t The cinema after Babel: language, difference, power
|
| 700 |
1 |
|
|4 aut
|a Stam, Robert
|t The cinema after Babel: language, difference, power
|
| 700 |
1 |
|
|4 aut
|a Rich, Adrienne
|t Vesuvius at home: the power of Emily Dickinson
|
| 700 |
1 |
|
|4 aut
|a Fetterley, Judith
|t Women beware science: "The birthmark"
|
| 700 |
1 |
|
|4 aut
|a Fetterley, Judith
|t A rose for "A rose for Emily"
|
| 700 |
1 |
|
|4 aut
|a Bonaparte, Marie
|t "The purloined letter"
|
| 700 |
1 |
|
|4 aut
|a Lesser, Simon O.
|t Fiction and the unconscious: "The birthmark"
|
| 700 |
1 |
|
|4 aut
|a Holland, Norman
|t Fantasy and defense in faulkner's "A rose for Emily"
|
| 700 |
1 |
|
|4 aut
|a Webster, Brenda S.
|t A psychoanalytic study: "Sailing to Byzantium"
|
| 700 |
1 |
|
|4 aut
|a Bloom, Harold
|t Yeats and "Sailing to Byzantium"
|
| 700 |
1 |
|
|4 aut
|a Lacan, Jacques
|t Seminar on "The purloined letter" (with introductory note by Jeffrey Mehlman)
|
| 700 |
1 |
|
|4 aut
|a Tefs, Wayne A.
|t Norman N. Holland and "A rose for Emily" - some questions concerning psychoanalytic criticism
|
| 700 |
1 |
|
|4 aut
|a Crosman, Robert
|t How readers make meaning
|
| 700 |
1 |
|
|4 aut
|a Dillon, George L.
|t Styles of reading
|
| 700 |
1 |
|
|4 aut
|a Lotman, Jurij M.
|t The text and the structure of its audience
|
| 700 |
1 |
|
|4 aut
|a Derrida, Jacques
|t Structure, sign, and play in the discourse
|
| 700 |
1 |
|
|4 aut
|a Johnson Barbara
|t The frame of reference: Poe, Lacan, Derrida
|
| 700 |
1 |
|
|4 aut
|a Lipking, Lawrence I.
|t The practice of theory
|
| 942 |
|
|
|b LIB
|c KNJ
|d ANG | 82.01 | LIT
|h FA05.07
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