Sadržaj:
  • 1. New criticism 2. Phenomenological criticism 3. Archetypal and genre criticism 4. Structuralist-semiotic criticism 5. Sociological criticism: historical, marxist, feminist 6. Psychoanalytic criticism 7. Reader-response criticism 8. Deconstructionist criticism 9. Humanist criticism
  • Anderson, Charles R.
  • Ecstacy: Dickinson's "My life had stood - a loaded gun -" Brooks, Cleanth
  • Yeats's "Sailing to Byzantium" Perloff, Marjorie
  • The rhyme structure of the Byzantium poems Heilman, Robert Bechtold
  • Hawthorne's "The birthmark": Babener, Liahna
  • The shadow's shadow: the motif of the double in Edgar Allan Poe's "The purloined letter" Warren, Robert Penn
  • Interpretation: "A rose for Emily" McFarland, Dorothy T.
  • Flannery O'Connor's "Revelation" Halliburton, David
  • Poe's detective tales Gilbert, Sandra M.
  • A woman - white: Emily Dickinson's Yarn of pearl Moore, Benita A.
  • Hawthorne, Heidegger, and the Holy: the uses of literature May, John R.
  • The parables of Flannery O'Connor Gelpi, Albert
  • Emily Dickinson and the Deerslayer Frye, Northrop
  • The archetypes of literature Muller, Gilbert H.
  • Flannery O'Connor and the catholic grotesque Johnson, Anthony L.
  • Sign, structure, and self-reference in W. B. Yeats's "Sailing to Byzantium" Happel, NIkolaus
  • William Faulkner's "A rose for Emily" Chatman, Seymour
  • What novels can do that film can't (and vice versa) Scholes, Robert
  • Decoding Papa: "A very short story" as work and text Barthes, Roland
  • Striptease Hebdige, Dick
  • Subculture: the meaning of style Tindall, William York
  • Transcendentalism and W. B. Yeats Heath-Stubbs, John
  • Beyond aestheticism: W. B. Yeats McGann, Jerome
  • The text, the poem, and the problem of historical method Brecht, Bertolt
  • Theatre for pleasure of theatre for instruction Mottram, Eric
  • Power and law in Hawthorne's fictions Eagleton, Terry
  • Ideology and literary form: W. B. Yeats Shohat, Ella
  • The cinema after Babel: language, difference, power Stam, Robert
  • The cinema after Babel: language, difference, power Rich, Adrienne
  • Vesuvius at home: the power of Emily Dickinson Fetterley, Judith
  • Women beware science: "The birthmark" Fetterley, Judith
  • A rose for "A rose for Emily" Bonaparte, Marie
  • "The purloined letter" Lesser, Simon O.
  • Fiction and the unconscious: "The birthmark" Holland, Norman
  • Fantasy and defense in faulkner's "A rose for Emily" Webster, Brenda S.
  • A psychoanalytic study: "Sailing to Byzantium" Bloom, Harold
  • Yeats and "Sailing to Byzantium" Lacan, Jacques
  • Seminar on "The purloined letter" (with introductory note by Jeffrey Mehlman) Tefs, Wayne A.
  • Norman N. Holland and "A rose for Emily" - some questions concerning psychoanalytic criticism Crosman, Robert
  • How readers make meaning Dillon, George L.
  • Styles of reading Lotman, Jurij M.
  • The text and the structure of its audience Derrida, Jacques
  • Structure, sign, and play in the discourse Johnson Barbara
  • The frame of reference: poe, LAaan, Derrida Lipking, Lawrence I.
  • The practice of theory